From Our Partners: The Great Amherst Mystery, 1888

~By Nicole Baker, Reference Librarian in the History of Medicine Division at the National Library of Medicine.

The Great Amherst Mystery by Walter Hubbell recounts his personal experience of what has been purported to be one of the most widely witnessed poltergeist phenomena in history. Hubbell observed these events and the family in their home from June 1879 through August 1879. Hubbell believed he was an authority on the “illusive effects” that stage performers like himself would use to entertain and trick audience members into believing performed magic acts. With a background in professional acting, he believed he would be able to decipher any trickery afoot or deception tactics being used in the widely reported Amherst haunting and expose the mystery to be a fraudulent act put on by the afflicted family.

An engraving of a young man in profile.

Truth, it has been said, is often stranger than fiction. What I have written is the truth, and not fiction, and it is very strange. —Walter Hubbell, 1888

On the afternoon of August 28, 1878, nineteen-year-old Esther Cox went out driving with Bob McNeal, a local young man. During their drive, Bob suddenly pulled the buggy over in a remote area and pointed a revolver at Esther, commanding her to get out of the buggy. Unsure of what nefarious plans Bob had in store for her, Esther was terrified and refused. Esther’s refusal made him increasingly irate, but luckily she was saved by the sounds of another wagon approaching in the distance. Fearing being caught, Bob put away the revolver and drove Esther back home. Locals described Bob as cruel, and even went so far as to say he would skin cats alive and watch them run about in pain for amusement. He was said to have left Amherst shortly after the incident but was still alive in 1879.

Within a month after this frightening attack, mysterious events at the Teed cottage in Amherst, Nova Scotia began to occur. While several ghostly entities would be identified throughout Esther’s coming ordeal, it is worth mentioning that the chief ghost, sharing several traits in common with Esther’s attacker, would come to be known as Bob. During the three months Walter Hubble spent observing these events, he was unable to come to any firm conclusions in his attempt to supplant the supernatural explanations with more mundane reasoning. Hubbell’s theory was that the “astral body” of Bob McNeal had been tormenting Esther at the behest of the demon called Bob Nickle. Hubbell believed that after the attack, the demon attached itself to Esther instead and was the most active spirit.

A photograph, reprinted in a book of a small house with a steep roof covered in snow.
The “Haunted House” in Personal Experiences in Spiritualism, 1913
University of California Archives, Internet Archive

Esther Cox lived in a small house with her married sister Olive and Olive’s husband, Daniel Teed, along with their two young sons Willie and George. Esther’s sister Jennie and brother John and Daniel’s brother, also named John, lived with them as well.

The nearly year-long haunting of Esther included a wide range of activities including objects disappearing and reappearing in other locations, spontaneous fires, disembodied voices, and unexplainable physical ailments. The voices would eventually identify themselves as Maggie Fisher, her sister Mary Fisher, Peter Cox, Jane Nickle, Eliza McNeal, and Bob Nickle. Relating one of these attacks, Jennie described her sister Esther as appearing with “her short hair almost standing on end, her face blood-red and her eyes looking as if they would start from their sockets, while her hands were grasping the back of a chair so tightly that her finger-nails sank into the soft wood”. Esther’s account was that she was so swollen, she felt like she would burst, and her skin had become incredibly hot.

When a local doctor named Dr. Carritte was called to the Teed cottage several days later to examine Esther’s strange symptoms, he diagnosed her with nervous excitement and prescribed her a sedative to help treat it. In his account Walter Hubbell reports that Dr. Carritte attempted this medical intervention for Esther Cox with strange effect:

He informed me that on one occasion he had given her one ounce of bromide of potassium, one pint of brandy and heavy doses of morphia and laudanum on the same night, without the slightest effect on her system… He stated, on this same evening, that all the medicine was neutralized by the ghosts.

In December of that year, Esther was diagnosed with diphtheria and during this time, all paranormal activity ceased. However, once she returned home, small fires began to start around the house, including one in the cellar. All family members, including Esther, were visible and accounted for when the fire started. Shortly after the fire, a ghost appeared to Esther and insisted that if she did not leave the house that very night, he would set the loft on fire and burn them all to death. The family knew that Esther had to leave, and they were able to find temporary shelter for her at John White’s home.

Both the Teed cottage and the White home experienced a lull in ghost activity. But soon the previous pattern began to repeat. First, the ghosts began to make contact with Esther in the White home. Then the fires started. In fear of losing his home to a fire, John White convinced Esther to accompany him to work at the dining-saloon. Still, the ghost followed her and showed off his abilities to many guests and strangers. At one point, a knife belonging to John’s son was taken from his hands and instantly stabbed Esther in the back, twice. Afterwards, the knife was locked away in the cash register at White’s dining-saloon.

Title page of The Great Amherst Mystery with library stamps and marks.
A printed page with an affidavit notarizing Hubble's text.
A printed page starting a chapter: Followed by the Ghost

After this escalation of events, Esther moved around several times, back to the Teed home and then to the homes of neighbors, but ghosts followed wherever she went. Each time the events began to spiral out of control with fires or violent actions, and Esther would be asked to leave in order to prevent irreparable damage or other serious consequences.

A yellow pamphlet cover with a red seal, graphic title, and library marks.
Pamphlet cover of The Great Amherst Mystery, by Walter Hubble, 1888
National Library of Medicine #60240700R

Neighbors, friends, and townspeople alike witnessed these strange happenings around Esther Cox, and they were widely reported in the local news. The Amherst Gazette published several accounts by locals, including that the loud sounds could be “heard by people in the street as they passed the house”.

In August 1879, Walter Hubbell saw Esther for the last time, leaving Amherst with the mystery unsolved. Sometime later, he wrote to Esther’s family to discover her fate and learned that Esther had been implicated in a barn fire in Amherst later that year. Because of her location in relation to the barn and outbuildings, which were totally destroyed by the fire, Esther was arrested and eventually convicted and sentenced to four months in jail for arson. She was released after a month and did not experience further poltergeist activity. By 1882, she seemed to have finally moved on from the hauntings, was married, and had a son. The ghosts no longer bothered her from this point on.

Walter Hubbell had arrived in Amherst committed to disproving the haunting as a hoax because of his personal experience with individuals fraudulently claiming to be in touch with the spiritual world. However, he reports in the end that he came to believe that ghosts were, indeed, real:

From what I saw and heard in the haunted house, I have been led to infer that the ghosts of the dead live in a world similar to ours, and that it is to them just as material as our world is to us.

Despite this testimony on ghosts, Hubbell remained critical of people claiming to be spiritual mediums, claiming that less than 5% had ever seen a ghost or had a message from one.

From Our Partners: UCSF Archives to House The COVID Tracking Project, a National Database Donated by The Atlantic

The COVID Tracking Project, a crowdsourced digital archive documenting the face of the pandemic in the United States, will become part of the permanent collection in the UCSF Archives & Special Collections and will be accessible to researchers and the public.

The project was launched by The Atlantic to address the lack of reliable information about the pandemic, was volunteer-driven and published data on COVID-19 testing, cases, hospitalizations, and deaths in the U.S. The information gathered was cited by major journals and many news stories and used by the Centers for Disease Control and Prevention, the U.S. Department of Health and Human Services, and the federal Food and Drug Administration.

This collaborative project brings together teams from The COVID Tracking Project team, the California Digital Library, and UCSF Archives & Special Collections. It will provide impetus for developing tools and new approaches for archiving collections, comprising diverse formats from instant messages to source code to emails as well as data sets.The COVID Tracking Project has already published its primary dataset in the Dryad data repository and the team anticipate that within a year this remarkable born-digital collection will be preserved and made accessible online.

This archive joins other publicly-accessible UCSF archives on the community HIV/AIDS epidemic responsetobacco industry, the opioid industry, and the food industry.

For more, see:

·       UCSF to House COVID Tracking Project, a National Database Donated by The Atlantic

·       Archives of the COVID Tracking Project at The Atlantic Donated to UCSF, in Partnership With the California Digital Library

From Our Partners: NLM Now on Instagram!

~ Post courtesy Krista Stracka, Rare Book Cataloger, U S National Library of Medicine

The National Library of Medicine is pleased to announce that we have joined Instagram! Follow @nlm_collections to see highlights from our collections that span ten centuries of global health history.

An NLM_Collections instagram post featuring an anatomical drawing and description.
First post from June 30, 2021
Visit NLM Digital Collections to access the fully digitized book: http://resource.nlm.nih.gov/2473070R.
Shelf mark: WZ 260 E87t 1783

First launched in 2010, Instagram is an American photo and video sharing social networking service. With over one billion monthly users worldwide, Instagram remains one of the fastest growing social media platforms. By joining, NLM aims to raise awareness of our holdings to boost discovery, access, and use of our collections and encourage users to engage with the collections through the platform’s liking, sharing, commenting, and location tagging features.

An NLM_Collections Instagram post featuring an example of crosswriting, handwriting along both horizontal and vertical lines.
Post from July 12, 2021
Visit NLM Digital Collections to view online: http://resource.nlm.nih.gov/2931059R
Shelf mark: MS B 59

Followers can expect to see a variety of visuals and learn interesting details on our page. Explore images and videos from our expansive collections of books, manuscripts, archival collections, audiovisuals, journals, and more. Get a peek behind the scenes at conservation work and digitization efforts. Learn about events, lectures, and exhibitions.

Posts will often feature digitized content that is remotely accessible through the NLM Digital Collections or from the Medical Heritage Library where you can view the entire work.

An NLM_Collections Instagram post featuring an embossed, decorated, green cloth cover of a book of poisoning mysteries.
Post from July 29, 2021
While NLM’s holding has not been scanned, the Wellcome Collection has digitized and made their copy available in the Medical Heritage Library collection. Visit: https://archive.org/details/b24877013
Shelf mark: QVB T469p 1899

Instagram also offers the opportunity to join a large community of archives, libraries, galleries, and museums that periodically feature collections based on themes or hashtag campaigns. For example, next month NLM will be mingling in the National Archives and Records Administration’s #ArchivesHashtagParty. Each month, participating institutions post on a different theme to showcase archival materials from their collections.

We welcome you to follow @nlm_collections at https://www.instagram.com/nlm_collections/ and to share what you would like to see featured on our page. More anatomical atlases? Movable books? Comment below!

From Our Partners: J Worth Estes Lecture

Center for the History of Medicine, Countway Library
is pleased to share information about the Boston Medical Library’s
17th Annual J. Worth Estes Lecture
1980s Biological Revolution in Psychiatry: What Really Happened, and What Really Happened Next, with Anne Harrington, Ph.D.

Dr. Harrington is the Franklin L. Ford Professor  of the History of Science, Harvard University, and is the author of four books, including Re-enchanted Science, The Cure Within, and Mind Fixers.
 
Register here.

The 1980’s saw a rapid pivot away from previously dominant psychoanalytic and social science perspectives in psychiatry towards a “medical model.” However, the standard understanding as to why this occurred is wrong. Revolution was declared back then, but not because there had been scientific breakthroughs. We need a new and better understanding of what really happened in the 1980s. Those ideas have directly shaped the fraught world of psychiatrty with which we live today.

Questions about this event? Please contact the Boston Medical Library.

From Our Partners: Medica

~Post courtesy Solenne Coutagne, manager of digital projects at BIU Santé

There is another anniversary this autumn, in addition to the anniversary of MHL. The BIU Santé celebrates the 20th anniversary of Medica, our digital library (https://www.biusante.parisdescartes.fr/histoire/medica/index.php).

Festivities will include:

–          A blog post on the history of this digital library by the people who worked on its creation and enrichment.

–          An Advent calendar featuring 20 noteworthy digitizations

–          A guestbook (in the form of a blog post) will be set up for partners and users to tell anecdotes, stories or simply wish Medica a happy birthday.

–          We will share all this on social networks with the #20ansMedica between November 23rd and mid-December.

Don’t hesitate to leave a message in the guestbook (you can send me your texts by return mail and I will copy and paste them into the blog post).

You are also invited to relay the publications using the #20ansMedica or to use the hashtag for your own publications on social networks between November 23rd and mid-December.

From Our Partners: Submissions for Meyerhoff Prize

This prize was established in 1956 by Ralph and Jo Grimes of the Old Hickory Bookshop, Brinklow, MD, in memory of Murray Gottlieb, a New York antiquarian book dealer. Since 2010, this award has been sponsored by the MLA History of the Health Sciences Section. In 2016 it was renamed to honor longtime MLA member Erich Meyerhoff, AHIP, FMLA. Meyerhoff was a legendary figure in medical librarianship with a great devotion to the history of the health sciences. The purpose of the Meyerhoff Prize is to recognize and stimulate interest in the history of the health sciences. The prize is awarded annually for the best unpublished scholarly paper about a topic in the history of the health sciences. The author of the winning essay receives complimentary registration to the annual meeting, a certificate at the association’s annual meeting, and a cash award of $500 after the annual meeting. 

Eligibility: 

  • The author of a paper submitted for the Erich Meyerhoff Prize must be a member of the Medical Library Association. 
  • The submitted paper must treat some aspect of the history of the health sciences. 
  • The submitted paper may be under consideration for publication at the time of submission, but cannot have been published. 
  • The submitted paper must meet the requirements for submission to the Journal of the Medical Library Association. 

The deadline for submission is November 1, 2020. Click here more information and submission form.

Reminder! At least one author of the paper must be a member of the Medical Library Association. 

UCSF Library Artist in Residence

~Post courtesy Polina Ilieva, Head, Archives and Special Collections, UCSF Libraries.

We are excited to welcome the first-ever UCSF Library Artist in Residence, Farah Hamade.

There was a remarkable response to the call for submissions, and the committee reviewed twenty-seven applications from artists in the Bay Area, several US states, and Canada and representing diverse media formats, including ceramics, interactive wood sculpture, photography, bookmaking, videography, collage, comic books, painting, 3D installation, and others. Farah Hamade was named the inaugural UCSF Library Artist in Residence and commenced her yearlong project, The City is a Body: Systemic Vulnerabilities in the time of COVID-19 on June 1: https://www.library.ucsf.edu/news/meet-our-artist-in-residence/.

From Our Partners: “They Were Really Us”: The UCSF Community’s Early Response to AIDS — A New Exhibition on Calisphere

~This post courtesy Polina Ilieva, Head, Archives and Special Collections, UCSF Libraries.

When HIV/AIDS first seized the nation’s attention in the early 1980s, it was a disease with no name, known cause, treatment, or cure. Beginning as a medical mystery, it turned into one of the most divisive social and political issues of the 20th century. The University of California, San Francisco (UCSF) was at the forefront of medical institutions trying to understand the disease and effectively treat early AIDS patients.

Drawing on materials from the AIDS History Project collections preserved in UCSF’s Archives and Special Collections, the UCSF Library presents “They Were Really Us”: The UCSF Community’s Early Response to AIDS, a new digital exhibition on Calisphere that highlights the ways UCSF clinicians and staff addressed HIV/AIDS from its outbreak in the 1980s to the foundation of the AIDS Research Institute in 1996. 

From medical professionals defining the disease and developing a model of care, to activists calling for treatments and public education, this exhibition amplifies the resilience of a community not only responding to its local needs, but also breaking ground on a larger scale with efforts that continue to impact HIV/AIDS care and research today. 

This exhibition, including the digitization of materials used in this exhibition, has been made possible in part by a grant from the National Endowment for the Humanities (PW-253755-17) “The San Francisco Bay Area’s Response to the AIDS Epidemic: Digitizing, Reuniting, and Providing Universal Access to Historical AIDS Records,” awarded to the UCSF Library in 2017-2020.

About UCSF Archives and Special Collections

UCSF Archives and Special Collections identifies, collects, preserves, and maintains rare and unique materials to support research and teaching of the health sciences and medical humanities and to preserve UCSF institutional memory. The Archives serve as the official repository for the preservation of selected records, print and born-digital materials, and realia generated by or about the UCSF, including all four schools, the Graduate Division, and the UCSF Medical Center.

The Special Collections encompasses a Rare Book Collection that includes incunabula, early printed works, and modern secondary works. The East Asian Collection is especially strong in works related to the history of Western medicine in Japan. The Japanese Woodblock Print Collection consists of 400 prints and 100 scrolls, dating from 16th to the 20th century. The Special Collections also contains papers of health care providers and researchers from San Francisco and California; historical records of UCSF hospitals; administrative records of regional health institutions; photographs and slides; motion picture films and videotapes; and oral histories focusing on development of biotechnology; the practice and science of medicine; healthcare delivery, economics, and administration; tobacco control; anesthesiology;  homeopathy and alternative medicine; obstetrics and gynecology; high altitude physiology; occupational medicine; HIV/AIDS and global health.

About Calisphere

Calisphere provides free access to California’s remarkable digital collections, which include unique and historically important artifacts from the University of California and other educational and cultural heritage institutions across the state. Calisphere provides digital access to over one million photographs, documents, letters, artwork, diaries, oral histories, films, advertisements, musical recordings, and more.

Calisphere Exhibitions are curated sets of items with scholarly interpretation that contribute to historical understanding. Exhibitions tell a story by adding context to selected digital primary sources in Calisphere, thereby bringing the digital content to life. Calisphere Exhibitions are curated by contributing institutions and undergo editorial review. We are currently refining these processes, which are outlined in the Contributor Help Center. Please contact us if you’re interested in learning more about Calisphere Exhibitions.